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People have been creating ceramics in the lands that now make up China for 20,000 years. The pottery discovered in caves in southeast China’s Jiangxi Province is among the oldest examples found anywhere in the world, and illuminates the origins of one of China’s most signifi cant art forms. Chinese earthenware came to resemble what we might today call porcelain sometime around the Han Dynasty(202 B.C.-A.D. 220), with techniques honed throughout the dynastic period to reach a level of refinement which saw Chinese pots, vases and bowls become some of the most coveted objects in the world.

While the works of master craftsmen were usually reserved for the imperial household and a discerning Chinese market, during the Ming and Qing (1368-1911) dynasties, Chinese ceramics were mass produced on an industrial scale for export to Europe. These pieces became so ubiquitous in the collections of the European elite that the word for Chinese porcelain in the English language became synonymous with the country itself, so that even today households from London to New York save their fine “china” for the most important social occasions.

In the 20th century, the social status of Chinese art radically changed. What were once the finest accoutrements of an elite section of society came to represent the excess and injustice of the old regime, and during the turbulence of the 1970s many porcelain antiques were destroyed in a symbolic rejection of the old customs and habits.

During this time, the Hu family was living in one of Beijing’s many hutong, the small alleyways which once formed the majority of the city’s residential areas. The father of the Hu household, Hu Zonglu, was a jeweler and antique collector who had been running a shop on the Beijing Flower Market Street since the 1930s. Witness to the destruction of relics in his neighborhood, Hu Zonglu was distressed by what he saw as irrevocable damage to China’s history and culture. Later, he began to collect the discarded fragments of broken antique por- celain, seeking to preserve what remained of a once celebrated Chinese art.

“During the ‘cultural revolution’ (1966-76), keeping antique porcelain at home was considered illegal. So many collectors broke their pieces and threw them away. After the period ended, my family began collecting the broken pieces of antique porcelain and tried to bring them to life again,” Hu Zonglu’s grandson Hu Chunming told Beijing Review.

Reform and opening up swept across China’s cities in the 1980s, bringing with it new opportunities for people to start businesses, and the Hu family saw an opportunity to revitalize the broken antiques collecting dust in their home. Hu Zonglu taught his son Hu Songlin the art of making jewelry, and together they opened a small shop close to Ritan Park, embedding pieces of broken pottery into the lids of small silver boxes and selling them at inexpensive prices.

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