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Arguably the best-known working Chinese movie star, Jackie Chan will accept an honorary Oscar this November for his impressive career in film. The first Chinese person to receive the Academy’s Governors Award, Chan spent decades acting in more than 30 Hong Kong martial arts films, as well as several he wrote, directed or produced, “stunning spectators with dazzling athleticism, innovative stunt work and boundless charisma,”according to the Academy. In his 50-plus years in the film industry, Chan has been involved in more than 100 films. Bruce Lee might have opened the door to Hollywood for Chinese actors, but Jackie Chan finished the race he started, conquering Hollywood with his spectacularly unique style.

A New Style

Born in Hong Kong in 1954 as Chan Kong-sang, Chan studied at the China Drama Academy, a local Peking Opera school where he began learning martial arts and acrobatics at the age of six. The talented child soon became one of the school’s standouts and began to appear in small roles.

Jackie Chan appeared briefly in Bruce Lee’s most famous film, Enter the Dragon, as a prison thug, just before Lee’s death in 1973. Chan was included with a handful of Hong Kong stars who were hyped as Lee’s successors. However, his unimpressive fivefoot-nine figure made him seem miniscule compared with most muscle-bound action film actors at that time. From the very beginning, Chan knew that he had to develop his own style in order to stand out.

Chan’s major breakthrough was the incorporation of comic elements into action films. His work injected new life into the genre, and soon Chan found more room to explore his expertise in martial arts and acrobatics. The comedic elements successfully set Chan apart from other kung fu actors. “When Bruce Lee punched someone, he just kept doing like it didn’t hurt,” Chan once said in an interview. “But when I hit someone, I shake my hand and go, ‘Ow!’”

Chan’s comedic kung fu genre features acrobatic fighting style, comic timing, usage of improvised weapons, and breathtaking stunts. The storylines of his films also veered far from traditional martial arts movies. For example, in his 1978 film Snake in the Eagle’s Shadow, instead of learning fighting from either of the title animals, Chan is inspired by a cat.

Thanks to the release of Drunken Master in 1978, the new genre quickly became popular. In the film, a young kung fu student learns a style in which the fighter appears to be drunk. Grossing nearly 2.5 times that of Snake in the Eagle’s Shadow, the film became an overnight sensation and box office smash in Asia as well as art houses in the United States. The film even enjoyed a restored American re-release.

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