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Since its premiere on June 20, 2017, Paths of the Soul, a movie set in Tibet, has taken on a dark horse role en route to becoming a stunning blockbuster in the Chinese film market. It grossed over 100 million yuan in two months, a rarity for movies with no commercial elements such as visual effects and a dramatic plot.
Shot in 2014, the movie was directed by Zhang Yang, a famous sixth-generation director in China, who spent nearly a year shooting two movies prominently featuring Tibet.
Paths of the Soul recounts the story of 11 villagers in eastern Tibet making a pilgrimage to Mt. Kailash （also known as Kang Rinpoche）, one of the four sacred mountains of Tibetan Buddhism, to hon- or the birthday of Sakyamuni, founder of the religion.
The other film is Soul on the String, an adaptation of a fantasy fiction novel by Tibetan writer Tashi Dawa. Since its release on August 18, the film has performed impressively in theaters and reaped rewards at the box office.
Both films are squarely about Tibetans, totally different from anything Zhang has ever done before. From the original attraction of Tibetan mystery to the abundance of the region’s symbolism, Zhang Yang shot the movies with a focus on local Tibetan daily life to pay tribute to the inhabitants on the roof of the world and reignite interest throughout China and the world through his understanding of the region.
Movie vs. Daily Life
For most people, Tibet is a mysterious but alluring tract of land. In 1991, when he was still a curious young student, Zhang Yang ventured to Tibet. “In those days, the road conditions were poor and going anywhere was inconvenient,” Zhang recalled.“It took many days just to get there. Also, there weren’t as many hotels and guesthouses as today.”
After graduating from the Central Academy of Drama in 1992, Zhang found the opportunity to shoot documentary films for a year on any topic he wanted. He chose places inhabited by Tibetan people, including Qinghai and southern Gansu provinces. His experiences there were quite different this time： “I was no longer just a curious kid.”
Since late 1990s, Zhang has directed and appeared in more than a dozen films including Spicy Love Soup （1997）, Shower（1999）, Spring Subway （2002）, and Going Home （2007）, which he also wrote. Many of his films have won domestic and international awards, including China’s Golden Rooster Award, and have been selected for the San Sebastian International Film Festival, which has led to commercial releases.
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